'Moneyball': The Reviews Are In!

Critics herald the baseball flick as 'the prime Brad Pitt movie.'
By Kara Warner


Brad Pitt in "Moneyball"
Photo: Columbia TriStar

On paper, "Moneyball" is a movie that sells itself. It's based on a best-selling book about our national pastime, the screenplay for which was adapted by Oscar winners Aaron Sorkin and Steve Zaillian, and it stars Brad Pitt, in all his handsome, charming splendor, as Oakland A's general manager Billy Beane. Throw in a killer supporting cast that includes Jonah Hill, Philip Seymour Hoffman and several real-life ball players, and you've got the makings of a hit.

With a 94 percent certified fresh rating on Rotten Tomatoes, "Moneyball" seems to be a solid winner with critics. So take an early seventh-inning stretch and settle in for some sports clichés as we sort through the "Moneyball" reviews!

The Story
"A sports-centric come-from-behind drama that harbors profound truths under its self-effacing grin of an exterior, 'Moneyball' is a movie of such loping, unforced ease and solid entertainment value that it's easy to take its gifts for granted. [Director Bennett] Miller barely puts a foot wrong in bringing to life the tale of Oakland A's general manager Billy Beane, who in 2002 — competing against teams with three times his payroll — sought to rebuild the slumping A's and revolutionize baseball recruiting using 'Sabermetrics,' a system by which players are chosen based on who gets on base most often. That approach sounds so simple as to be self-evident. But in 'Moneyball,' such logic runs afoul of Beane's old-school scouts, who are played in the movie by a colorfully grizzled collection of character actors and some real-life baseball veterans. Their banter, in which they refer to players' jaw lines and girlfriends while they decide whom to hire, lends 'Moneyball' a thoroughly enjoyable through-line of tough, vernacular wit. What's more, that plain-spoken charm couches a far deeper conceptual point: that objective truth not only exists but matters, even at a time when it's continually being trumped by superstition, 'feelings' and irrational belief." — Ann Hornaday, The Washington Post

The Brad Pitt Factor
"If Pitt's role in 'Moneyball' is more of a conventional star turn than his career-shifting performance as the stern 1950s father in 'The Tree of Life' (for which he emphatically deserves awards but won't win any), it's still terrific. He's on-screen in almost every scene, often filling it up in extreme close-up, and captures the bluff, buff and shrewd Beane, a washed-up jock who embraced an unorthodox statistical philosophy through sheer necessity, with great wit and physicality. (Let me throw in that 'Moneyball' is a delirious study of bad early-2000s guy fashions and haircuts, which may elude some of the audience but is definitely conscious.) Let me hasten to assure you that 'Moneyball' isn't all that much of a baseball movie, although fans of the national pastime will of course rush to see it. It's a prime Brad Pitt movie — arguably the prime Brad Pitt movie — and an American fable about a battered but lovable divorced dad who defies conventional wisdom and beats the odds." — Andrew O'Hehir, Salon.com

The Book-to-Film Comparison
"The big-screen adaptation of Michael Lewis' engaging 2003 book is also filled with compromises. Someone crammed 'Major League'-style sports clichés into a more nuanced story about baseball and progress — and then tried to fit a Brad Pitt star vehicle inside of that. The result is an interesting but frustrating near-miss. Chronology and context are mucked with liberally. This happens in almost every sports movie based on real events, although A's fans will be blown away that Tim Hudson, Barry Zito and Mark Mulder and their combined 57 wins in 2002 are scrubbed from existence here. Of the three, only Hudson gets a cameo, and he blows his start." — Peter Hartlaub, San Francisco Chronicle

The Final Word, Pro-Con Style
"Bennett Miller's' Moneyball' — adapted by Aaron Sorkin and Steven Zaillian from the nonfiction book by Michael Lewis — is a sports movie for people who don't like sports movies. I know this is true because I enjoyed it. ... Cinematographer Wally Pfister's deliberately unglamorous presentation of the A's dilapidated clubhouse is a long way from the gold-and-sepia tones of Barry Levinson's 'The Natural.' 'You can't help but be romantic about baseball,' Billy observes to Peter, even as he's being reviled by his own organization for his supposedly bloodless reliance on the stats. It's to the director's credit, and Pitt's, that 'Moneyball' is anything but bloodless — in its own quiet, unspectacular way, this movie courses with life." — Dana Stevens, Slate.com

"The downside of Pitt's triumph is that it unbalances the movie, throwing more of the focus on Billy than the team. To put 'Moneyball' over the fence, Miller and his writers needed to make something else hit home: the meaning of the on-base percentage. What does it say about a player who can't throw far, can't steal a base, rarely hits a ball over the fence, and yet can be as great an asset as a future Hall of Famer? Instead of answering that question — and dramatizing how wins can be built from unflashy players working in sync under a manager who understands 'small ball' — Miller shifts into montage mode (They won! They won again! They're on a streak!), as if Beane and Brand had written a computer program that was running to its inevitable conclusion. That, of course, leaves the team's manager, Art Howe (played by Philip Seymour Hoffman, maybe to pay Miller back for helping him win an Oscar in 'Capote'), a cipher, a nonpresence on and off the field. 'Moneyball' has everything but team spirit." — David Edelstein, New York

Check out everything we've got on "Moneyball."

For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.

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Justin Bieber & Selena Gomez's Paradise Cove Lovin'

Continuing to spend much of their free time together, Justin Bieber and Selena Gomez kicked off the weekend on the beach in Malibu, CA on Friday (September 23).

The young lovebirds took to the scenic and exclusive Paradise Cove while kicking things off with a romantic lunch at The Beach Cafe.

Once filled up, Selena and Justin continued forth with their doings by strolling down the beach to feed the seagulls and offering up a little PDA with hugs and kisses throughout.

The outing comes as Justin is gearing up to hit the road in the coming days, as he's set to resume his My World tour's Latin America leg in Monterrey, Mexico on September 30th.

Source: http://celebrity-gossip.net/justin-bieber/justin-bieber-selena-gomezs-paradise-cove-lovin-546516

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Beyonce, Jay Z Celebrate VMA Baby News Backstage

B gathers with well-wishers -- including her Destiny's Child girls and Kanye -- declaring 'I'm free!' after onstage pregnancy reveal.
By Kara Warner


Beyoncé at the 2011 VMAs
Photo: Jason Merritt/Getty Images

Another year, another unbelievably action-packed Video Music Awards. As expected, viewers were treated to mind-blowing performances and several jaw-dropping surprises. The most unexpected moment came courtesy of Beyoncé Knowles, who not so subtly announced to the world that she and husband Jay-Z are expecting their first child.

When B unbuttoned her sparkly jacket and rubbed her belly with a knowing smile, after which the camera panned to a visibly elated Jay-Z and Kanye West cheering from the audience, the Nokia Theatre was bursting with warm and fuzzy well-wishes for the soon-to-be parents. And that very public moment of celebration was just the beginning.

When Beyoncé returned backstage to her dressing room, she was greeted by a team of people who enveloped the visibly happy star with hugs, cheers and congratulations.

Click for photos of Beyoncé's big VMA night.

"I'm free!" she said to one of the well-wishers, indicating that she and Jay are thrilled to not have to keep such a big secret any longer. "We're all free!" she said to the group.

A few minutes after her arrival backstage, she was joined by her husband, a very excited West (whose first words upon entering the dressing-room area were "Where is Beyoncé?" as if he could not wait to give B a huge hug) and her former Destiny's Child ladies, Kelly Rowland and Michelle Williams. Even with the doors to their dressing rooms closed, the applause and whoops of joy could be heard everywhere backstage.

"That was an eventful night, to say the least," Jay, still smiling, said to some of the revelers in the hallway, who continued to shower him with congratulations and hugs.

The 28th annual MTV Video Music Awards have wrapped, but the real action is just getting started! Stick with MTV News for winners, fashion pics, video and behind-the-scenes stories about everything that went down. Visit VMA.MTV.com for the latest.

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Source: http://www.mtv.com/news/articles/1669879/beyonce-jay-z-celebrate-baby-pregnancy.jhtml

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Lady Gaga Calls For Meeting With Obama After Bullied Teen's Suicide

Following the death of Jamey Rodemeyer, Gaga pledges to help make bullying a hate crime.
By Gil Kaufman


Lady Gaga
Photo: MTV News

Lady Gaga was so shaken with the news about the death of 14-year-old Jamey Rodemeyer this weekend that she has called for President Obama to enact laws making bullying a hate crime.

Rodemeyer, who had posted an "It Gets Better" video in May about his long struggle with bullying at school, took his life on Sunday after what his parents said was years of taunting over his sexuality.

In his video, Rodemeyer cited Gaga as an inspiration, saying, "She makes me so happy. She lets me know that I was born this way. And that's my advice to you from her: You were born this way. All you have to do is hold your head up and you'll go far." The teen seems on the verge of tears when discussing Gaga's message and promising to keep on going despite the hate.

On Wednesday, Gaga expressed her sadness over Rodemeyer's death. "The past days I've spent reflecting, crying, and yelling," she tweeted. "I have so much anger. It is hard to feel love when cruelty takes someone's life." She went further, posting Rodemeyer's "Better" video, and insisting that bullying "must become illegal. It is a hate crime."

In fact, Gaga claimed in a subsequent tweet, she's so upset that she is planning to meet with President Obama on the matter.

"I will not stop fighting," she wrote. "This must end. Our generation has the power to end it. Trend it #MakeALawForJamey." A spokesperson for the White House could not confirm at press time if Gaga has officially set up a meeting with the president to discuss the issue.

MTV's ongoing "A Thin Line" project provides stories and resources for anyone who believes they are being cyberbullied or who is looking for ways to stop harassment by digital means.

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Source: http://www.mtv.com/news/articles/1671190/lady-gaga-obama-call-teen-suicide.jhtml

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Usher Gets 'Emotional' On David Guetta's 'Without You'

DJ/producer calls their collabo the 'biggest record' on his just-released Nothing but the Beat.
By Akshay Bhansali


Usher
Photo: Todd Williamson/ WireImage

David Guetta recently told MTV News that the Usher collabo "Without You" is the "biggest record" on his just-released Nothing but the Beat.

It's a rather bold statement, considering his latest album also features Lil Wayne, Chris Brown, will.i.am, Akon, Timbaland, Nicki Minaj and Jennifer Hudson, just to name a few. But Guetta has a soft spot for the cinematic team-up with Ush, which he says is equal parts sentimental and hands-in-the-air euphoric.

"It's just totally emotional," Guetta said. "Some of the record is a proper ballad, and then it goes to that crazy dance beat. It's perfect for him, because he's famous for his ballads. And he's also now famous for those big club records that he comes with. He's an amazing dancer, so I felt like he was the artist that I needed."

Usher and Guetta first previewed the song in Ibiza, Spain, earlier this summer, with the crowd demanding an encore performance of the sure-to-be-hit song.

"It was amazing," Guetta gushed. "We were not supposed to do this. I always do these kinds of stupid things, playing records when I'm not supposed to play them. And Usher was so excited for this time to be in Ibiza performing in front of those people. He called me onstage and said, 'Come on. Let's do it.' So we did it, and, yeah, they loved it. We had to do it again! They asked for one more."

For some, the combination of Usher and Guetta might seem out of left field. While the DJ/producer works with a variety of artists, he has a pretty tight-knit musical family — but it may come as a surprise that Guetta has known Usher the longest.

"I actually speak very often about how thankful I am to will.i.am because he called me to produce 'I Gotta Feeling'; Akon, when we started to work together, because I wasn't famous in America; Kelly Rowland and all those guys that came to me when I was not known yet," Guetta said. "But I have to say that the very first time when someone big from America asked me if I want to work with him, it was Usher. Like, a really long time ago, but we never had the time to do it. So I was so happy to be finally in the studio with him, because he spotted me when I was really not famous yet."

Usher and Guetta already shot the video for "Without You" in Ibiza. The song will follow up Guetta's current single, "Little Bad Girl," which features Ludacris and Taio Cruz.

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Usher Collaborator Rico Love Calls Kelly Rowland's 'Motivation' 'Truly Organic'

Lil Wayne 'jumped on it,' Raymond v. Raymond writer tells Mixtape Daily.
By Alvin Blanco, with reporting by Rob Markman


Rico Love
Photo: TTLL

Behind the Beats: Rico Love

If more people read the credits behind some of R&B's biggest hits, Rico Love should be a household name. Born Richard Preston Butler Jr., the former Florida A&M University student is now one of the music industry's most-sought-after singer/songwriters.

After writing hits for Usher ("There Goes My Baby"), Beyoncé ("Sweet Dreams") and Diddy-Dirty Money ("Hello Good Morning"), to name a few, one of Rico's biggest hits to date is Kelly Rowland's "Motivation."

"It came about in a truly organic way," Rico told Mixtape Daily of the Jim Jonsin-produced "Motivation." "We had this meeting in New York: myself and Sylvia [Rhone] and Kelly. And they just were saying, 'We need to find that single; we need that big single.' Everybody was asking for an uptempo, actually.

"I flew down to Miami the next day, and that Tuesday, we got back in the studio, and Jim started playing these chords, and then coming up with these little sounds — the signature sounds that Jim comes up with. I just told him to lay it like a skeleton idea, and I jumped in the booth, and I started with the verse, and I kind of sang my way all the way through the record."

Rowland, formerly of Destiny's Child, was in the studio while Rico was laying down the reference track and made her regard for the song known immediately. "Kelly was there and watched the whole process," Rico recalled. "As soon as I finished singing the demo, usually an artist wants to live with it or listen to it for a little while. She just said, 'I want to cut it right now.' So she jumped in the booth, and we cut the record."

"Motivation" became the lead single for Rowland's third album, Here I Am, which was released in April. The song, which peaked at #1 on the Billboard Hot R&B/Hip-Hop Songs chart, features a verse from Lil Wayne.

"Lil Wayne got out of jail a few days later, and as soon as he got out of jail, [Rowland] went to see him, and he jumped on it," Rico explained. "It was the most organized situation ever. It was nothing contrived about it."

There's been nothing manufactured about Rico's accomplishments either. Starting his musical career as a rapper, he has signed former Roc-a-Fella rapper Young Chris to his Universal/Motown-distributed Division 1 label.

After leaving Florida A&M to pursue music, Rico caught the attention of Usher, and penned songs for the R&B singer, including "Throwback." Other artists soon benefitted from his songwriting, including T.I., Pleasure P and Mario. Rico takes pride in being versatile with his talents, preferring not to make specific songs intended for specific artists only.

"Sometimes, when you keep an artist in mind, you'll limit yourself," Rico explained. "You won't go a place that they probably would go because you're thinking, "Nah, she wouldn't say this," or "He wouldn't do this," or "He wouldn't say this," and "This melody is out of the way for them."

"When I get a chance to just get into the studio and just write music and just produce music and sit at the piano and tell a guy where I want to hear the chords and create the progressions and just freely make music, it's a lot more fun."

Lately, Rico has been back in the studio with Usher. In 2007, he was signed to the singer's former US Records via J Records. But his debut album was never released, and he and Usher went their separate ways.

But as Rico become a songwriting force, the two eventually started working together again. The first song they recorded was the Grammy-winning "There Goes My Baby" from 2010's Raymond v. Raymond. Now, Rico is working on Usher's forthcoming album and embracing the pressure of surpassing its predecessor's platinum sales and critical success.

"I feel like this is what separates the boys from the men," Rico said of working with Usher. "This week, we been creating records together. We had two mics, two headphones set up in the booth, and we just sit there and vibe out.

"These first few days have been amazing. We got four records cut so far that sound super amazing. I'm super excited about it. I'm just anxious for the world to hear it."

For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines.

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Source: http://www.mtv.com/news/articles/1667790/rico-love-kelly-rowland-motivation.jhtml

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R.E.M. And Nirvana: The Kurt Cobain/Michael Stipe Connection

Bands' intensely private singers had a unique relationship.
By Gil Kaufman


Kurt Cobain and Michael Stipe
Photo: Getty Images

Tony Bennett has been making the rounds this week promoting his new Duets II album and talking about how he wanted to save late singing partner Amy Winehouse by telling her to slow down, to take it from someone who'd already been there and had gotten the same advice from his idol, Frank Sinatra.

That kind of been-through-the-fire mentoring is a time-honored tradition in the music world, one that came to mind again on Wednesday when long-running alt rock godheads R.E.M. announced they were packing it in after 31 years in the midst of the 20th anniversary celebration of Nirvana's groundbreaking Nevermind album.

You see, enigmatic R.E.M. singer Michael Stipe had been through the superstar crucible. The intensely private frontman who spent a good early portion of the band's career mumbling his cryptic lyrics while hiding behind a scraggly veil of wavy hair knew all about the pressures of fame by the time Nirvana were having their world-exploding "Smells Like Teen Spirit" moment.

One thing ends as the dawn of another is celebrated.

It's a rock circle of life that was clearly not planned, but has a very nice, round arc to it. It connects these two bands yet again, providing another reminder that it was because of the hard work of acts like R.E.M. that Nirvana was able to blast out of the Northwest and take on the world.

The coincidental chapters also recalled the fact that Stipe had gone from indie darling to worldwide rock star just months before Nevermind hit in late 1991 thanks to the breakout success of "Losing My Religion," the first single from R.E.M.'s seventh album, Out of Time.

In the ensuing years, the two men would carry on a kind of public mutual-admiration society, as Nirvana singer Kurt Cobain went to great lengths to praise R.E.M.'s influence on his own band. And critics couldn't help but notice how, like R.E.M., Nirvana had managed the tricky tightrope walk of retaining their indie edge while signing to a major label and making polished, pop-influenced music with gritty bite and uncompromising lyrical flavor.

Stipe seemed to gladly take on the role of mentor, perhaps seeing in Cobain's adoration tinges of the same relationship he had with his idol, punk godmother Patti Smith, whose influence Stipe praised publicly at every turn.

"I don't know how that band [R.E.M.] does what they do," Cobain said in a 1994 Rolling Stone magazine interview. "God, they're the greatest. They've dealt with their success like saints, and they keep delivering great music."

By 1994, Stipe, like many in Nirvana's inner circle of friends and management, had grown concerned about Cobain's dangerous drug spiral. In an attempt to try and bring Cobain back from the abyss, Stipe — the godfather of Cobain and wife Courtney Love's only child, Frances Bean — planned a collaboration with the doomed grunge singer.

"I was doing that to try to save his life. The collaboration was me calling up as an excuse to reach out to this guy. He was in a really bad place," Stipe told Interview magazine earlier this year. "I constructed a project to try to snap Kurt out of a frame of mind. I sent him a plane ticket and a driver, and he tacked the plane ticket to the wall in the bedroom and the driver sat outside the house for 10 hours. Kurt wouldn't come out and wouldn't answer the phone."

The superstar hookup never happened and — like Neil Young, Smith and numerous others — Stipe was inspired to write a musical eulogy for Cobain, the moving 1994 song "Let Me In," from the album Monster. Fittingly, that disc found R.E.M. adopting a grungier, harder-edge, distorted sound that went the opposite direction of their two more sedate, previous mainstream breakthrough efforts.

Once again, the celebration of a beginning and a sad ending that can forever link these two legendary acts.

Stipe grew gracefully into the role of alt-rock elder statesman, enduring the rigors of stardom with wit and confidence. "A wise man once said--'the skill in attending a party is knowing when it's time to leave,' " he wrote in a statement announcing the band's end. "We built something extraordinary together. We did this thing. And now we're going to walk away from it."

Cobain, on the other hand, was swallowed up by the machine, prematurely putting an end to his story and walking away from the party way too early. Maybe if he'd had that sit-down session with Stipe he might have managed the dream he shared with us in a 1993 interview. "I wanted to have the adoration of John Lennon but have the anonymity of Ringo Starr," Cobain told MTV News. I didn't want to be a frontman. I just wanted to be back there and still be a rock and roll star at the same time."

Stick with MTV News all week as we reveal the Nevermind You Never Knew, celebrating the 20th anniversary of Nirvana's definitive album with classic footage, new interviews and much more.

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Source: http://www.mtv.com/news/articles/1671211/r-e-m-michael-stipe-nirvana-kurt-cobain.jhtml

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'Modern Family' Star -- Anti-Gay Chick-fil-A Meal?

Filed under: Sarah Hyland, Celebrity Justice, Modern Family, Famous Food, Paparazzi Photo

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3:30 PM: Multiple sources close to Sarah have contacted us to say she is absolutely NOT anti-gay ... and she had no idea about Chick-fil-A's non-culinary practices. Mystery solved.


On television "Modern Family" star Sarah Hyland, 20, has two gay uncles, but in real life she just attended the grand opening of a new Chick-fil-A restaurant in Hollywood ... an evangelical Christian owned corporation which has been accused of being anti-gay.

Although Chick-fil-A has responded to the homophobic allegations by saying they "serve and value all people," they also routinely contribute to anti-gay organizations like Focus on the Family.

Pro-equality groups aren't happy about the fast food chain's latest outpost and are planning a protest in front of the new Hollywood location on Saturday.

While Sarah may not be aware of the chain's practices, TMZ contacted her rep but have not heard back.

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Source: http://www.tmz.com/2011/09/22/sarah-hyland-modern-family-chick-fil-a-anti-gay-grand-opening-hollywood/

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